By Lebanese Photographer Lamia Maria Abillama
This is not a campaign to support the Lebanese Army, but a powerful series of portraits by Lebanese Photographer Lamia Maria Abillama entitled “Clashing Realities”. Several Lebanese civilian women, like May Chidiac, are shown in their homes wearing military uniforms “a symbolic representation of the encroachment of political violence into personal space”, or in other words to symbolize the violence that these women experienced at some point in their lives, whether it was the Lebanese civil war, an explosion or others …
Abillama’s work will be published later this month as part of a book series devoted to the work of Beirut-based female photographers. You can check out all the portraits in the [NewYorker] article.
Each of her subjects’ lives has been touched by violence, Abillama told me, although she has chosen not to include captions identifying their names or describing their traumas. Instead, it is their common identity, the burden they wear like a “second skin,” that she wants to call attention to. As the daughter of a storied political family whose life was shaped by Lebanon’s 1975-90 civil war, Abillama grew to despise her country’s system of governance. And she knows that the second skin is not easily shed. “Even if you go to Paris or Milan or wherever, ultimately you carry within yourself always the spectre of war,” she told me.
Speaking of women and violence, Lebanese singer Elissa apparently released a new song called “Ya Merayti” to highlight violence against women and in support of the Lebanese NGO Kafa (While Haifa is still breathing you in). I won’t criticize Elissa’s clip as it has a powerful message but I am curious to know why she’s talking in English at the start.